Order:
  1. Emotivity in the Voice: Prosodic, Lexical, and Cultural Appraisal of Complaining Speech.Maël Mauchand & Marc D. Pell - 2021 - Frontiers in Psychology 11.
    Emotive speech is a social act in which a speaker displays emotional signals with a specific intention; in the case of third-party complaints, this intention is to elicit empathy in the listener. The present study assessed how the emotivity of complaints was perceived in various conditions. Participants listened to short statements describing painful or neutral situations, spoken with a complaining or neutral prosody, and evaluated how complaining the speaker sounded. In addition to manipulating features of the message, social-affiliative factors which (...)
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  2.  29
    Cultural differences in on-line sensitivity to emotional voices: comparing East and West.Pan Liu, Simon Rigoulot & Marc D. Pell - 2015 - Frontiers in Human Neuroscience 9.
  3.  32
    Emotional speech processing: Disentangling the effects of prosody and semantic cues.Marc D. Pell, Abhishek Jaywant, Laura Monetta & Sonja A. Kotz - 2011 - Cognition and Emotion 25 (5):834-853.
  4.  47
    Dynamic Facial Expressions Prime the Processing of Emotional Prosody.Patricia Garrido-Vásquez, Marc D. Pell, Silke Paulmann & Sonja A. Kotz - 2018 - Frontiers in Human Neuroscience 12.
  5.  11
    Comment: The Next Frontier: Prosody Research Gets Interpersonal.Marc D. Pell & Sonja A. Kotz - 2021 - Emotion Review 13 (1):51-56.
    Neurocognitive models (e.g., Schirmer & Kotz, 2006) have helped to characterize how listeners incrementally derive meaning from vocal expressions of emotion in spoken language, what neural mechanisms are involved at different processing stages, and their relative time course. But how can these insights be applied to communicative situations in which prosody serves a predominantly interpersonal function? This comment examines recent data highlighting the dynamic interplay of prosody and language, when vocal attributes serve the sociopragmatic goals of the speaker or reveal (...)
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